How Will the Writer’s Strike Impact Lost

Lost News — October 27, 2007 at 7:39 am by docarzt

I’m one of the last Lost bloggers to chime in on this because, frankly, I’m not that worried about.  The fact is, a WGA strike means the studios won’t be making much money, so they are going to do everything in their power to avoid that happening.

A lot of alarmists are looking at the 90%+ approval from strike like a weather forecast, it’s not.  That number is a clear message to the studios that the writers mean business and that they need to be ready to make concessions when negotiations begin.

The contract expiration date, as many have pointed out, is NOT the date the writers would strike.  It is the date they would typically return to negotiations with the studios.  If they don’t like what they are offered, then they may strike.

The awesome thing is this is all about new media, and Lost’s co-producer Carlton Cuse is a member of the negotiating committee.  What uniquely qualifies Cuse to negotiate is the fact that Lost being the multi-branded property it is, they have already tackled most of the new media challenges internally.  Lost is essentially a model for how to end the disagreement.

Another thing that is helpful for Lost fans, is that production has been rolling full steam ahead and there is enough slack time for Lost to stay on its repeat free schedule by the time any strike issues rear their head.  As I write this they are, I believe, wrapping episode 7.  That’ a lot of episodes folks. If anything, the strike would impact shows currently on the air and isolate Lost and it’s mid-season brothers and sisters as the only thing ‘new’ on television.  It could be a good thing.

But personally, I trust the forward thinking of Cuse will shine through at the negotiating table.  Look at all the innovations that have occurred with Lost’s production.

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