LOST’s Damon Lindelof and Carlton Cuse Comment on Sopranos Abrupt Ending

Lost News — June 12, 2007 at 5:16 am by Santa

Someday, we’ll all be in Damon’s shoes when it comes to watching our favorite show, LOST, come to an end before our very eyes;  for that reason, it’s not such a bad idea to get a feel for how LOST’s co-creator felt about the enigmatic cut heard around the world.    Not that Lindelof is in any way going to be inspired by the Sopranos’ ending, but as a gauge of what he finds acceptable or not.

Personally, I LOVED the Sopranos ending.  Color me crazy, but it was the only ending that could possibly fit.  We’re so into the lives of these characters logically, that it would seem too contrived for some mega-whack situation to evolve.  Instead, we’re left with a subtle nugget of a scene.  Affirmation that morality is still in flux.  The end that says these archetypes never end, reality does not stop, it goes on and on and on and on.  Trying to end Tony’s creed would be like trying to kill a bacteria culture with a sledgehammer.

But the point of this is, a lot of Soprano fans did not like the ending.  They thought it was horridly executed, and felt that it left an open sore that would never heal.  The outrage was palpable.

Lindelof, amongst many other television writers, commented positively on the ending to the New York Times. “I’ve seen every episode of the series. I thought the ending was letter-perfect. the scene cut off right as Meadow is coming through the door and right at the word ‘stop’ in the Journey song. My heart started beating. It had been racing throughout the last scene. Afterward I went to bed and lay next to my wife, awake, thinking about it for the next two hours. And I just thought it was great. It did everything well that ‘Godfather III’ did not do well."

Of course the fact that Lindelof, as a fan, loved the ending while others hated it means nothing to us when it comes to how Lindelof and Cuse will end LOST.  It does, however, punctuate what Lindelof has said about the ending is true, some will love it, some will hate it; that is just the nature of things.  However, when musing the philosophy behind writing an ending to something like the sopranos, Lindelof said “If you feel that everybody is going to hate it anyway, no matter what you do, there’s a certain liberation in writing it.”  In context, I think what Damon is saying is that when you are writing an ending to a show that nobody wants to end, you know it is going to be universally despised.

Cuse was feeling the heat in watching the ending. “A sense of fear ran through my veins, thinking that we are going to be in this position, we know the end is coming in 48 short episodes.”

Initially, Carlton didn’t like it, “But it settled well with me, In that blank screen, there was a certain kind of purity in the choice Chase made to make it the fulcrum of the ending.”

Source - The New York Times

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